Sunday, 10 April 2011

Betty's Petite Yonah

Trip Date: April 9, 2011

I pick up Jeff at 8:50 and we head to the Whitespot to break our fast with the rest of the Sedgebenders. Discussion ranges from how the Sedgebenders got started to the strike at the local University. Several of us, including me, have the Giardino omelet. The Arrabbiata sauce is fresh and "yum!"

When we are finished eating we head to Westwood lake for the main event of the day, the christening of Betty's new Clipper Packer canoe.

Clipper Packer

Clipper built this boat to exacting specifications: "Dr. says no heavier than 22 pounds." Gotta hand it to the Clipper folk, they pulled it off. Think they were pretty proud of her themselves -- as suggested by their blog post about it.

Clipper Packer and Three Other Canoes
 The canoe has that fresh kevlar gleam and we admire the cleaver design -- graphite reinforced foam ribs and elegant wood gunwales.

James and Charles examine the gunwales
Notice the graphite seat which sits atop a foam core graphite substructure. Both the seat and the foot rest are nicely adjustable.

An Awfully Pretty Design
I have not seen a Packer before so appreciate having a good long look at ever inch of her. Many elements of the design are subtle. There is a slight tumblehome and the paddling station is roomy, easy to get in and out of, but also snug with comfortable access to the water.

A Simple Curve to the Gunwales
When we are all together James reads two Wendell Berry poems and I an excerpt from Paddle Whispers by Douglas Wood. Then we open some Campaign and toast the day and the occasion.

Water and Wine

I Christen thee Petite Yonah
It's Official
 Then we prepare for departure. Betty is the first off.

Light as a Leaf
Paul is next, followed by the rest of us.

They're Off
The day so far has been better than expected, some clear breaks in the sky and fairly calm, but of course as soon as we are on the water....

Jeff and I are in his Cedar strip Tandem built by his Brother in Law

Paul in his Solitude and Betty in Petite Yonah

Wind Gets Up
Oh the Joy of Paddling Your Own Canoe

Betty Seems to Think it Was a Good Choice

Lynne and Charles, Long Time Paddlers, Put Paul's Clipper S Through It's Paces

Back from the Paddle
 The Clipper S is outfitted with knee braces, a foot rest, and a kneeling thwart. Very nice.

The Packer Does Have a Nice Little Bit of Rocker
After we get back to the put in, Betty allows Paul and I to take Petite Yonah for a spin. Paul has loaded 2 water bags for ballast and shifting the bags around produces changes in the trim. Paul comments on the noticeable difference this makes in tracking. The little craft has lots of buoyancy and we agree that it could be loaded with a fair bit of gear for a trip.

Paul has two paddles to try, his ZRE classic carbon and a maple otter tail. The little Packer leaps up to speed with the ZRE and when I take up the otter tail I find the boat handles extremely well. It also is remarkable for it's good initial AND secondary stability.

I try a variety of strokes and find that the boat responds well to my favorite, the Indian stroke. Sculling is easy and an abrupt switch to a reverse scull doesn't freak me out -- that ample stability is really nice. Turning is easy, perhaps because of the Packer's modest rocker, and yet the boat seems to track well. In general the hull slides along very nicely without too much effort. No wonder this boat has stayed in production. It is a winner.

The Sedgebenders

Sunday, 30 January 2011

Losing the Light

I stand alone on a weathered outcrop of Quatsino Formation Limestone, hands in my pockets. The lake stretches before me.  The heat spike of midday generated wind, stirred up waves, filled ears with the buffeted rasp of rushing air - the smaller sounds were lost in the white noise. But now it is letting up. Silence is piling up between the grass blades. Waves slap out a quiet metronome against a limestone pillar off to my left and gurgle amid the eroded shapes at the base of the outcrop. The long shadows of the trees no longer move over the ferns and moss where I was sitting a few minutes ago and dusk is gathering inside the forest. There is a Gaussian blur at the edges of everything.


I hear my father's voice in the back of my head, "we are losing the light; we better get back to camp."  He retreated to camp towards the end.  Not a surrendering, just a practiced prudence. My mother too, gave up her hope in fairies for the surer offer of a guardian angel and Jesus.


As a boy I noticed the books dad read. His Saturday mornings at the kitchen table; coffee and a paperback. James Michener, Tom Harper, Farley Mowat, C.S. Lewis. His choices sometimes courageous. He faced ideas, arguments, squarely. He deliberated in the prickly discomfort of uncertainty. I remember him reading Kierkegaard, his eyes moving back and forth while I poached an egg.  A slim book, but hard. "You can read it," he said, "anyone can read it. Understanding it though…." And then years later he quoted from it. One line drawn out, memorized because it was worthy, a perfect expression of something my father understood. A small perfect reminder carefully sequestered in his mind:

"Only one deception is possible in the infinite sense, self-deception."

Richard Emerson Powell (Dad) Reading in his Retirement Years

He quoted Robert Burns, often. Liked, To A Mouse. Not the popular verse 7 with its "The best laid schemes of mice and men go often askew, and leaves us nothing but grief and pain," but instead the first verse, in the original,

"Wee, sleekit, cowrin, tim'rous beastie,
O, what a panic's in thy breastie!
Thou need na start awa sae hasty
Wi bickering brattle!

I wad be laith to rin an' chase thee,
Wi' murdering pattle."

In his younger days my father was a hunter. He taught me to shoot and cast a fly. But by the time I was middle aged he had given it up; first the deer, then the grouse, lastly the trout. In the end the burs of wilderness stuck only to his jacket. Inside was receding dust and ash from two orbiting planetoids:  refined tender awareness; and a stubborn satellite of fear.

Richard Emerson Powell (younger than I am now) shows a grouse to the Little Black Bandit From Ghost River Ranch on a hunting outing when I was a 15.

The Burns poem was cherished because the ploughman in the poem, Burns himself, felt great kinship with the mouse who had worked so hard to prepare for the winter only to have his house devastated by the passing plough. The ploughman realized that his life required him to plough, yet to see the small creature put out of his home was pity.

"I love that," my father would say, "the sound of it and the just of it." 

He loved it because it was almost a different language, yet even if brattle and pattle were unfamiliar words, there was enough comprehensible that the incomprehensible could be guessed. That, it seems, is how we get along, my father and I, comprehending what we can, and guessing at the rest.


I get up and make my way back towards camp, walk through a forest, deep moss spongy underfoot. I pause to listen to the ringing stillness under the cedars. I emerge onto the stretch of sand and walk close beside the water on the hard plank of smoothly washed sand. The gentle lapping of the waves as I idle along the beach, the low angle of the sun revealing deeper tones of amber and blue.



Night brings the cool awareness of how thin my clothing is, how long a bear's claws are, how squishy I am between my bones. The heat goes out of me, the darkness an insatiable absence, the inexorable force towards death. Only the sun is excessive enough to sustain us. When it is elsewhere, we all zip up, wait, shiver.

My father, his aging heart expanded, his fear of darkness crowding in, turned to religion. He had always turned to religion. He trusted it. And the religion he turned to was a vagabond companion.

My father's "tenderness" snuggled alongside of several other virtues he had selected and nourished over his lifetime. One of those was reverence, and his religion seemed confused on the subject. He still had the idea, despite his own rationalizing to the contrary, that a church was a unique place where you presented yourself before God, made your confession, and accepted absolution. Church as forest glade.

It bothered him that the new community, made mostly of a new generation, didn't wear formal clothing to church, a niggling problem with no solution.  How could they not see that it was disrespectful, that being off the hook didn't mean a licence to slovenliness? It also bothered him that those outside the church couldn't accept the gospel. Why, he puzzled, could people not just accept this gift, this forgiveness and life? He must not be communicating it correctly; the fault must lie with him. He would have to try harder. He talked and talked; his loved ones shying away from the intensity in his voice, horses unable to put hands over their big ears.  In the light of death, he wanted to shout, it was all so important; this one decision for Jesus.

Richard Emerson ties a fly to his fly-line as we walk between lakes in the Kootenay Mountains
The darkness sucks and sucks. And as I stand on the lake shore, feeling it suck the heat out of me, I think about my own decision for Jesus.  Year after year, inexorably, unrelentingly, the darkness had sucked my faith away.

Like my father I turned to the close warm comfort of that old story, I turned like my father, to that faithful friend religion. Looking for the place to nestle deeper, looking for the red checked wool coated chest of my Father Writ Large, fresh in from splitting wood, fresh in to hug me, reassure me it was all going to be ok.

I am the mouse turned out. The plough crashed through my house; I face the winter alone, without shelter from the icy facts of a dark cold universe. Others seem able to hold on, but I keep slipping off the over turned hull of Christianity. I am the weak one, the doubter. I will surly drown.

In Fear and Trembling Kierkegaard argues that you can hang in a belt from the ceiling and make the motions of a swimmer, but throw yourself in the river and you find that the motions you made while hanging in the belt, no matter how practiced, don't make you a swimmer. He says that the same is true of faith; that going through the motions, or "wearing the jewel of faith," as he puts it, is not the same as living it.  From the outside the two can look the same, real faith and faith as an overcoat.


He then goes on to give one of the most satisfying portraits of the engaged individual I have read, a person interested in everything, celebrating everything, entering in wholly to everything from his evening meal, to the frosty walk to church,  to the singing of psalms with his neighbours. Moving through each moment aware of it, absorbed in it, revelling in it. A mind alive.

This to Kierkegaard was the spine, the place to hang a body on, and paradoxically, the place to let go of the body.  He says, "Carefree as a devil-may-care good-for-nothing, he hasn't a worry in the world, and yet he purchases every moment that he lives, 'redeeming the seasonable time' at the dearest price; not the least thing does he do except on the strength of the absurd. And yet, and yet - yes it could drive me to fury, out of envy if for no other reason - and yet this man has made and is at every moment making the movement of infinity."

The movement of infinity.

Kierkegaard says this soul has discovered that by practicing resignation infinitely he can achieve a tranquility that "drains deep sorrow out of existence." The key, I think, is loss. Resignation in the positive sense that Kierkegaard means it, is acceptance of loss. Yet once accomplished, this movement from hope to acceptance allows the individual to take each pleasure as a gift. When you face loss squarely and really look at it. Look and look and look and do not turn away. "Ok, I've seen it, I am less secure, robed, diminished." Then each kindness is a marvel, each green bud a miracle, each grain of salt a wonder.


Loss is a hinge for the door of gratitude to open on.

But Kierkegaard says this "knight of infinite resignation" doesn't have the highest bliss, though he does have "the bliss of infinity," and that highest bliss is reserved for the one who can leap into the absurd position of believing he will get it anyway.  He uses the example of a dancer who leaps and lands exactly on mark, and is able through practice to turn walking into a perpetual act of leaping. The absurd is any situation that defies rational explanation but never the less is. It is the religious experience of trusting that all will be well, even when there is no reason to believe this. Absurd is irrational, illogical, emotional, intuitional. And by launching oneself wilfully into this state, one achieves the highest bliss. According to Kierkegaard.


On Monday nights I travel with my friend Ian to a group that meets in a church. Recently we watched a DVD series called "Saving Jesus." One night, we faced the change that comes when we let Jesus be human. Fully human. Let fear stand up on it's hind legs and growl. Look and look and look at it. There is an antidote to fear, one of the speakers on the DVD hinted. It is trust. "Trust? Is that true?" I asked. Everyone thought about it. No one was in a hurry to agree or disagree. Someone suggested that it is love, not trust, which casts out fear. "I think that is a scripture verse," someone said.

Later I look up the verse. John 4:18. The context is judgement - fear of judgement. And love casts that fear out. I realize that judgement is not what I am the most afraid of; even though Rabi Kushner says that the fear of rejection is the most frightening thing of all.  No one wants to be cast into the outer darkness. Unliked. Unwanted.  Alone.


In theory the idea that we are loved by God, that our religion insures it, casts out the biggest fear there is. But all fear? If God loves you, can anything else matter? But bad things happen. We can not trust God to keep us safe, because we are beaten by the neighbourhood bully. We can not trust God to provide for us, we lose our job. We can not trust God to keep us safe from cancer, we get it anyway. We can not trust God to keep us from dying. Every single one of us does. There are bears in the forest.

So if trust is the antidote, and we can't trust God, what do we do? Religion isn't about belief, it is about who you belong to, says Rabi Kushner. It is not really about answers, certainty, or comfort. Real religion is just the reassurance that others know our name, that others will listen to our story, remember us when we are gone. Stand around our grave. Religion is human companionship. The opposite of being alone.

As the Quakers might say, "we trust that of Christ in everyone, in everything."

The river into Wolfe Lake where I found some wonderful volcanic rocks in red and green from, no doubt, nearby Mount Pinder
Perhaps that is why on this Sunday I spent the day studying the mountains and trees, opening my soul to deep green star embers and the difficult choice between wading in the creek looking for pretty stones, or doing the same at the lake edge. This is where I belong, this is my sanctuary. I meet God here.


I crawl into my tent, zip up the flap, pull the sleeping bag up around my ears. If a bear comes, I think to myself, I will not have anyone else to help me, I am in the outer darkness. I have arrived at an absurd moment. Yet really, I am not alone. The humans that lived before I was born impressed upon all the other species that we humans are dangerous, not food. If I can relax a bit it is because my aunts and uncles before me, for millions of years, have banded together against the darkness. I have their memory in the genes of bears, and I have bear spray and a tent. The community of humans is all around me, even when I am alone.

This thing I do, here in the dark, is a kind of swimming. I am not hanging in a belt, I am not thinking about sleeping in the wilderness, I am about to actually do it. I lay my head down and entrust my life to the long evolution of my species, and the parallel evolution of the bear. It is risky, but a calculated risk. I'm back at camp, the light is gone, and I leap into the absurdity of sleep.

Sunday, 16 January 2011

Blogs Crammed Full of Water, Wilderness, and Wonder

Friends tell me they don't get the whole blog thing. I agree with them, they don't. Some of these friends are readers, some even read online, but they see blogs as "diaries made public," and certainly there are a lot of those kind of blogs. Some of those I rather like. But others have much more. Some have deep quality writing that moves, inspires, or enlightens us, some have practical information tested in real world settings, and others show us places and images which motivate us to get out into that beautiful world of water and land.

You can see down  along the right hand column some of the blogs I recommend for Vancouver Island paddlers and outdoor enthusiasts; and even more off-topic blogs on my profile page. The Outdoor Blogger Network has lots to explore and I have even more over on my Google reader. I can't seem to get enough.

Today I'm just going to pick out 5 to highlight because they are unique and striking and I've been meaning to recommend them for awhile.

The Heron Dance is an ongoing expression of Roderick MacIver, a nature artist, writer, and canoeist. The Heron Dance's Pause for Beauty blog usually includes a watercolour image as well as a quote from a literary figure, artist, etc. or a reflection from Roderick. The blog is good, but even better is the e-newsletter he puts out by the same name which includes longer writings and opportunities to purchase images and books published by the gang at HD.

What I like so much about Rod is summarized in the "About Heron Dance" section of the blog. Here is a brief excerpt: "Creative people are above all else people of ideas, and underlying the creation of all art is an iceberg — spirituality, intuition, dreams, perhaps meditation or journaling, a relationship with solitude." Live with that idea for a few minutes!

Check it out and subscribe to the newsletter -- his canoeing related entries are top notch.


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Hank Shaw is an interesting character who looks a bit like me, so maybe that is part of the reason I like his blog. Mr. Shaw's writing is casual, witty, and understated while at the same time communicating valuable information about foraging and cooking wild foods. The photos are from Mr. Shaw's partner, Holly A. Heyser and compliment the writing to such a degree that I'm not sure which I appreciate more. My mouth waters often browsing this blog.

I stumbled upon HAGC when looking for Chanterelle recipes, and I have to say, it was a wonderful stumble. Kind of like the act of Chanterelle hunting itself. See: http://honest-food.net/2010/11/05/chanterelles-in-all-their-forms/
 
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Russ Porter and his wife Arlene are livin the life. Their photo-rich travel reports reveal their light-hearted spirit and love of nature. This is one of the best outdoor blogs that focuses on Vancouver Island I have yet seen, and shows just how evocative good photos can be. Check it out.


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Speaking of photographs -- not many nature photographers can beat Brett Colvin for bringing the outdoors into sharp focus. As a bonus Brett's recent post gives tips on just how he gets some of those amazing shots. If you are a photographer, don't miss this great blog.


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Scott Schuldt gets out in his Penobscot every few days and writes spare, wonderfully crafted, trip reports full of salient details and observations. I take great pleasure in relaxing into Scott's view and I think you will too.


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As you can see my taste runs to the thoughtful, the authentic, the well written, and the nature focused. And I havn't even mentioned all the blogs I enjoy, only the ones I think are most germain to readers if 100 Lakes on Vancouver Island. 

I hope you will take the opportunity in the comment section below to tell me about blogs I might have missed, or should check out, or are new, etc. I look forward to your recommendations!

Wednesday, 1 December 2010

Can You Teach an Old Paddler New Tips?

When people find out I have a canoe for sale, they often ask, “why are you selling it?” and the answer is rather pathetic. I want the Maserati Gran Turismo of canoes and I have a Volvo V50. That is to say, I want a high end solo canoe, and I have a high end multipurpose canoe.

The Solo Plus
I purchased the Solo Plus, Wenonah’s answer to a “do it all” canoe, because I wanted a canoe that could be paddled tandum or solo. The Solo Plus is good for solo weekends and weeklong trips; ok for tandum day trips; and not a bad compromise between efficiency and practicality. Somewhere between a performance boat and a family friendly recreational hull. I liked that I could sit in it or I could kneel in it. The gunwales were narrow enough to use a double blade. And after using it for two years I realized that I was moving consistently and with greater conviction away from tandem paddling towards the true solo experience.

The SportPal
The turning point came on a trip this summer with Tom. Tom sports a Sportpal. A light aluminium hull with clever innovations from the period of everyman ingenuity following the second world war. It was a time of adaptation of military material to civilian purposes. It brought us wonders like aluminium foil and Tang. I love the Sportpal for it’s robust design, engineered practicality, and amazing multipurpose slyness. It is the Solo Plus with oar locks, a movable seat, and a place to put a mast for sailing.  It has a sort of recalcitrant thriftiness that is evident in a host of perfected ideas. The true jack of all trades watercraft. You can even put a motor on it.

The Summersong, the Sportpal, and the Spitfire
While I paddled and Tom rowed our way along Amor Lake we met Ron, a relocated easterner in possession of a Sawyer Fibreglass Summersong. The Summersong is also a product of it’s age, and while the Sportpal has the look and feel of the sixties, the Summersong has the look and feel of the eighties.  It has the same post-war cleverness (three height fully adjustable seat) with the lines and performance of a high tech race craft.

Summersong by Sawyer

In the months that followed I would learn that the Summersong was a product of a particularly innovative period of solo canoe design that focused on performance hulls for hit and switch single bladers. It was produced in the heyday of the solo canoe, at the cusp of shift in interest among paddlers to kayaks. The Summersong was sleek, fast, and light. Everything I held dear.

Ron said he had an Autumn Mist as well but preferred the Summersong

The shift to kayaks came about for a variety of reasons. New composite materials, extremely enthusiastic kayakers, the low profile on the water and low centre of gravity from sitting low in the boat, the efficiency of the double blade, the solo nature of the kayak (tandems are out there, but few and far between), and the decked design that tends to increase the boat’s seaworthiness. The west coast was a hotbed of kayak design in the 70s, 80’s, and 90’s and kayaks have displaced canoes in retail outlets. One Island shop told me they sold 100 kayaks for every canoe they sold. I think that social pressure  has played an unfortunate role in overshadowing solo canoes with kayaks.

Duncan Watts and Matthew Salganik (http://www.princeton.edu/~mjs3/musiclab.shtml) are researches who set up an experiment to test the long held assumption that other people’s choices affect our own choices. They created a website on which their test subjects could download music and see what other subjects downloaded. Everyone could rate songs and ranked them and see what other people’s rankings were. Some tunes became hits, ranked highly and downloaded by many and others did not. The music was a collection of 48 original songs from aspiring but unknown artists. The curious thing was that each group of participants had a different “hits” list from other groups. There were a few songs that hovered near the top of the list in all groups, but everything else varied wildly from group to group. It seems that the songs that are actually good stand out, but the ones that are only mediocre are perceived differently depending on what other people say about them. Often people have bought kayaks when solo canoes would have been a better fit. But they were influenced by what everyone else was paddling.

 Kayaks are great for all the reasons I mentioned, but one unfortunate aspect of their meteoric rise to popularity is that boat designers also shifted their attention to the new crafts and it wasn’t until well into the 2000’s that people started to buzz about new solo canoe designs again. A few companies released new designs through the 90s, but many of the best designs out there today are 20 years old or older. And there is nothing wrong with that. The Summersong is a beautiful boat that seems like perfected technology for flat-water cruising.
Summersong on Amor Lake

Trouble is that Sawyer Canoes no longer exist, and the designs have been handed over to Scott Smith at Superior Canoes. Scott would build me a Summersong, but getting it to Vancouver Island poses a bit of a challenge. Before trying to work out a way to get a Summersong, or the equally desirable Rapidfire, or any of the other excellent boats in the same category from American manufacturers I decided that I would look around and see what local dealers could provide, and which Canadian companies would ship to me.

My first list looked like this:

Bluewater Splitrock
Bluewater Mist
Wenonah Prism
Swift Osprey
Clipper Solitude
Clipper Packer
Souris River Tranquility

The Bluewater boats, the Prism, and the Clipper boats were all available from local dealers, and the Osprey and Tranquility were available via shipping directly from the manufactures. I had also looked at the long racing hulls like the Wenonah Advantage and Clipper Freedom, but friends had talked me out of them because of their near zero rocker and significant length.

The logic went like this, “You never paddle very hard Richard, and these boats are for athletes.” After I got over my initial shock at this obvious hyperbolic statement, I had to admit that there was a nugget of truth in it. I was attracted to the idea of a low lean racer, but would I appreciate the strengths of these boats in a healthy chop on a large open lake? I was also put off by the need to lean them in a certain way to get a nice turn out of them. I kept flirting with them, especially the Advantage, both because they are beautiful boats and because Advantage owners can be quite persuasive in their enthusiasm.

Then I hit the forums (Canadian Canoe Routes and Paddling.net). It became apparent that everyone and their dog loves the Swift Osprey. I heard only one negative comment about that boat — it doesn’t paddle well with a rear quartering wind or going at an angle to the wind combined with big waves. But few boats do. I learned pretty quickly that the Splitrock was a racer like the Advantage and eventually set it aside. I learned that the Prism was not as well regarded as I had thought, and like the Mist, Packer, and Solitude was designed for sit and switch paddling. The Wenonah Argosy went onto the list for awhile, as did the Vagabond and Rendezvous. I had paddled and loved the Rendezvous, but eventually let go of that dream as it is not readily available in ultralight or graphite.

I had a very helpful talk with Peter Harris of Pacifica Paddle Sports who suggested the H20 boats. I had looked at the H20 boats on the Frontenac Outfitters Site, but didn’t think I would be able to get a hold of one, but Peter seemed to think he might be able to arrange it.The 16.6 and 15 went on my list.

So after much thought and review I came up with a rule of thumb:  

"a differentially rockered boat in the 15 foot range will reward a recreational paddler with fast acceleration and easy cruising with a single straight paddle, and a slightly longer boat, in the 16 to 16.5 range will not respond as well at lower horse power because of skin friction, but will perform better with a double blade on the long open sprints."

Given this, I set aside all the Wenonah boats except the Argosy, Many of the best boats for what I like to do are only available in the States and back east at that.

Here is my current list:
Osprey Mist Packer Argosy H20 16.6 H20 15
Length 15' 14'10" 14' 14'6" 16'6" 15
Weight 30 lbs 35 lbs 34 lbs 30 lbs 34 lbs 32 lbs
Price $3,000.00 plus shipping ($400) Kevlar Fusion, Carbon KV trim 2500.00 plus shipping ($400), Golden Brawn $2000.00 CAD  KV Ultralight $2000.00 US KV Ultra-light $2500.00 + shipping ($400), Super Kevlar $2500.00 + shipping ($400), Super Kevlar
Width at Water 27.5" 28" 27.5" 27 29.5" 26"
Width Max ? 30" 29.5" 30 ? ?
Width at Gunwales 26" 26" 24" 27 25" 27"
Rocker Bow 1.5" 0.5" minimal 2.25" 1" 2.5"
Rocker Stern 1" 0.5" minimal 1" 0.5" 1.5"
Bow Height 18" 17" 16" 18" 18" 17
Centre 12" 13.25" 13" 13.5" 12.5" 12
Stern 15.5" 16" 16" 16" 16" 15
Made in Canada Canada Canada USA Canada Canada
































All of these boats do have a narrow water width, are in the magic waterline length range (14 to 16 feet) and are light. The front runners, the Osprey, Argosy, and H20 Boats have differential rocker.

The best choice at this point seems to be the Osprey, but it is the most expensive and I would have to trust the shipper and make any repairs myself.

The Argosy suffers from being regarded as not particularly fast or good in windy conditions — more of a down river hull. The Argosy is the least expensive.

The H20 Boats are relatively unknown. All are narrow at the gunwale which will allow for paddling with a double blade. The new and enticing H20 16.6, despite Charlie Wilson’s reservations, still looks good. It has a white bottom, great colors, and could potentially be faster than the Osprey.

The Mist and Packer have lost their lustre due to a less than optimal length and minimal rocker.

Here are some helpful tips I picked up along the way:
  1. I appreciated John Winters excellent little article How to Buy a Canoe  Mr. Winters has a great little list of questions to help clarify the process.
  2. The choices I have listed above do not include a good number of excellent boats that are available but outside my narrow set of preferences. Unless you are very wealth there is no point pinning over a glorious hull from a company who doesn’t have a dealer in our area or doesn’t ship direct. If you don’t mind driving across the boarder to meet up with a delivery driver, or travel to the eastern United States yourself, then many more options open up.
  3. Designing solo canoe hulls is done with thought towards the stance the padder takes (sitting, kneeling, with a bent shaft single, double, etc.) and the intended use (ponds, calm flatwater, big waves on lakes, mild rivers, whitewater, oceans), and also the level of skill the paddler has. Few of the boats on my list would be immediately comfortable to a beginner.
  4. The weight of the paddler also matters and some boats have seats that are much more flexible than others (to allow for trim differences with different weighted paddlers).
  5. The most recognized names in solo canoe design are John Winters and David Yost. From what I can tell, all their designs are well appreciated. There are many other hulls of merit, but if it has the DY or JW name, it probably is a safe bet.
  6. There is a difference between efficiency and speed. Generally longer boats are faster, but may take more power to get them up to speed. The Square root of the length, in feet, multiplied by 1.55 roughly equals mph up to development of the two wave wash but the fastest speeds require significant power, definitely more than something like the Indian stroke will produce -- so boats greater than 15 feet are probably not worth the extra skin friction if paddling with a single blade is going to be the norm. Shorter boats have less wetted surface and so are much easier to get up to speed, if the top speed is more limited. Width and hull shape address efficiency at any given length.
  7. A high cadence is the most important factor for achieving speed.

Saturday, 20 November 2010

The Secret Lake the Faller Showed Me

Logged Area Surrounding Black Lake
I have known a few fallers.  As a boy, a timber faller, his dented orange hard hat and red checked jacket, talked to my father at the truck window about the way the earth thumps when the big trunks land. They were big trunks in those days. I watched the man step off the road, over logs, up the bank. His friendly wave before picking up his saw.  The tattered ends of his jeans lifting and dropping on his high shafted boots as he stepped over debris and slash. Dad started the truck, and we headed on to the fishing hole.  I turned in my seat to watch one of the trees at the edge of the cut fall down hill. The springiness of it as it landed.

A faller, his nostrils full of wood dust and the smell of chain oil, feels the power of internal combustion attached to a flying chain of blades, the challenge and exhilaration of dropping large pillars of carbon, tons of wood - the neck stretching openness in the canopy for the blue sky  to step around in fractals between the remaining treetops.

Plug for the gender mold. The archetypal-larger-than-life-macho-logger.  Steel toed boots, the heavy fabric of faller chaps stained with oil, the saw jamming fabric shirt brown with sweat and dirt, the constant current of danger like an eel in a river, the constant numbness in the arms from vibration, the finger tips buzzing.


After the saw is snuffed into silence, after the foam removed from ears, after the sky begins sucking away as much heat as the sun brings in, now low to the horizon - then he stops and ponders the beauty of the place, the funny way the cut opens the forest like an ancient story opens a deepness in the soul. The sweet smell of cut logs mixed with the minty crackle of gum. Good to end a day alive, and then go for a beer with the others in the warm loud span of laughter and forgetting.

A Fire Warden I met on a dusty logging road this summer on the hottest day of the year showed me a lake I could paddle on. His lake. One of his secret spots. He found it years ago when he was a faller. We sat in our vehicles, window to window talking about the changes in the forests - small contractors, more fatalities, a changing way of life. Companies from China securing fibre rights, converting mills to specialty products. And then, he said, he was married to a woman who was Chinese.


The walk to the lake was worth it, he told me, because he had saved a swath of old growth trees. The hillsides around the lake were covered in uniform carpet of new growth as I looked around after easing the canoe into the water from my shoulder.


The same familiar shortness of young trees. But along the edge of the water on one half of the lake a fringe of large trees. The faller's gift. He had asked the timber boss if they could be saved. The saws were already wining their way down the hill overlooking the lake, the trucks hauling away the big cellulose tubes. The boss said no, then a few days later, called back, "OK," he said, "The rest won't be cut." Sort of a miracle.


I paddled and admired the stand of old growth. At the south end of the lake, I tied the boat and walked in the shallow water.


The air was hazy with smoke from distant forest fires. The wind had been blowing earlier but had dropped. The shade of the massive trees seemed to provide an oasis from the heat and smoke.  The pattern of wave splash along the rocks.


They are rugged. They curse and spit and compete and joke. The rough company of men.  The guys who gave me a ride when I locked my keys in my Tracker a few years ago looked at me reluctantly from their Silverado LT 4X4. Working hard not to call me an idiot to my face. In the woods, regardless of how stupid someone is, you help him out.


Almost all the lakes I wish were protected, I accessed from the edge of a logging road. The patchwork quilt of cuts visible from space, and me disappearing like the speckles on a trout's back after you let it go.

on the hillside
a logger steps from log to log
hot saw swinging